Disappearing Landscapes. Cinema in Pernambuco and its relation with space

Authors

  • Ângela Freire Prysthon

DOI:

https://doi.org/10.30962/ec.1348

Keywords:

Paisagem. Desaparição. Cinema Contemporâneo

Abstract

The cinema made in Pernambuco has emphatically outlined its concern with space, especially through documentaries and features that elaborate on the changes in the landscapes of the region and cities (mainly Recife). This paper seeks to analyze the relationship between film and landscape in contemporary cinema from four films made in Pernambuco in the last few years: “Avenida Brasília Formosa” (Defiant Brasilia, 2010) by Gabriel Mascaro, “O som ao redor” (Neighboring Sounds, 2012) by Kleber Mendonça Filho, “Eles voltam” (They’ll come back, 2013) by Marcelo Lordello and “Brasil S/A” (2014) by Marcelo Pedroso. Being so different in texture, genre and nature, these films have in common the production of images of transition, that register the disappearance of forms of life, changes of the landscape and the ruins both of old ways of life and the novelties of predatory capitalism – that in some ways are born already obsolete. One of our objectives is also to discuss what is the role of these “images of disappearance” (of landscapes, of cities, of people, of habits) in the constitution and affirmation of regional cinema in Brazil.

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Published

18-05-2017

How to Cite

Prysthon, Ângela F. (2017). Disappearing Landscapes. Cinema in Pernambuco and its relation with space. E-Compós, 20(1). https://doi.org/10.30962/ec.1348

Issue

Vol. 20 No. 1 (2017)

Section

Cinema

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