Black matriarchs in "Tenda dos Milagres" (1977): an analysis of the intersection between gender and race in Brazilian cinema
DOI:
https://doi.org/10.30962/ec.1066Keywords:
Cinema Brasileiro. Literatura. Feminino Negro. Análise fílmicaAbstract
From the female leadership in african-Brazilian cults, portrayed in the film Tenda dos Milagres (Nelson Pereira dos Santos, 1977) and contributions of cultural studies, film theory and feminist criticism, this article discusses the intersection between gender and race identities in Brazilian literature and cinema, thus searching observe different meanings and approaches about black women.Downloads
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- Figura 1: Mãe Mirinha do Portão e Mãe Runhó do Bogum (Português (Brasil))
- Figura 2: Cerimônia no terreiro de Mãe Mirinha do Portão (Português (Brasil))
- Figura 3: Entrevista de Mãe Runhó do Bogum a Pedro Arcanjo (Português (Brasil))
- Figura 4: A ordem de Majé Bassã (Português (Brasil))
- Figura 5: Dança de Majé Bassã (Português (Brasil))
- Figura 6: Palavras de Majé Bassã (Português (Brasil))
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